Paper media sees a new member joining the family this month: the first edition of The Greatest magazine is on the newsstands. Swide, always with an ear to the ground regarding new projects scooped up an interview with the founder, editor in chief and fashion director of The Greatest: Matteo Greco.
The
Greatest is a luxury menswear magazine with a bi annual publication rate. It’s
large, sleek and modern, with pages that are textured and thick, a new trend
which differentiates the pioneers to the classic glossies out there. The
saturated colours of the image give a contemporary yet vintage feel which is a
welcome divergence from those uber bright uber glossy magazines out there today.
Matteo Greco, founder and editor in chief of The Greatest gives us an insight
into his creation.
The
seduction of paper. Why has your menswear magazine have such an imperative
title: The Greatest?
More then imperative I would say epic. The work we put in for the first issue
was indeed epic. It was a new experience for everyone: you don’t set up a
magazine everyday. Between the many problems, and issues to resolve, the name
had to be The Greatest. We wanted to create an epic sense, one of strength for
the people who approach the magazine for the first time.
What’s
your viewpoint on men’s style? Can you summarize it in a few words?
My viewpoint is based on what I like to see and what I like to create.
I like that a young man doesn’t forget the small details which denote class and
elegance. As always, the details make the difference: starting from an important
watch, or to how the tie is knotted or whether the cuff of the shirt pops out
from underneath the blazer sleeve. These are elegant details that make a classy
man refined and appropriate.
In
recent years, styling and image seem to have won over design. Are the stylists
the new designers?
To ensure the best results it’s better to work with four hands: two of the
stylist and two of the designer. Designers have to carry on creating and us
stylist to interpret. I love this job because many of us might be shooting the
same garment, but each one of us, depending on their background and their own
taste, interpret, creating different images with the same pieces. I think it’s a
game for two, us stylists could not work without designers, and their job would
be much harder without us...
Simone
Nobili wearing Dolce&Gabbana for a 100% Italian cover on the first issue of
The Greatest. Why do you think “Italians do it better”?
I have patriotic not nationalistic sentiment. I love the country I was born in
and in which I live and hope to keep working in. Ours is a country with many
problems, especially when it comes to the younger generation. We think that
abroad everything is better, the cities are more beautiful, its much cooler to
spend your holidays on foreign beaches, and so on. In reality, we are devaluing
our own country as it has so many things to offer, but we’re unable to see it.
Well, back to fashion, I have noted that in the last few years, the foreign
designers have become very good at doing things which are actually more at home
in Italy. The Made in Italy concept, the fabrics, shoes and our own magazines
need to school the rest of the world. It’s the way it should be. So yes, I admit
that Italians do it better, probably, actually for sure, perhaps not in
politics, but what we do in fashion makes us proud.
(GF)
Credits: The Greatest
Photography: Giuseppe Gasparin
Fashion Edito:r Elisa Anastasino
Model: Simone Nobili in Dolce&Gabbana SS12
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