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A name that will stand the test of time and haunt us with her paintings. Her works are visible at the Greenberg Van Doren Gallery in New York and the Apartment Gallery in Athens, while finishing an exhibition at south square centre in London where the artist lives.

Q. Where does life start for Emi, what is the first image that comes to mind?
A. My first impressions as a child are of the old town of Corfu where I
grew up, the houses, the strong light and view to the sea.
Q. Your approach to art starts from which moment on?
A. I was introduced to the arts by my father who is also an artist.
Since I remember myself I remember going to exhibitions with him and dabbling
with paint in his atelier.
Q. How does you career evolve, and will evolve in the future?
A. I was lucky to study at some very good art schools, the Ruskin
school of Fine Art at Oxford University and the Royal Academy Schools in London.
The years there gave me the base of understanding contemporary art and evolving
in my own practice. Through an exhibition at the Whitechapel gallery in London I
got interest from galleries- I am currently working with Greenberg Van Doren
gallery in New York and the Apartment Gallery in Athens. While I am always
evolving my practice in the studio, my career is evolving through exhibiting in
commercial and non-profit/museum settings. I am also interested in working in
more site-specific projects.

Q. Your paintings take us inside a place, which place?
A. Each painting endeavours to create a space for dreaming. I often
leave the interpretation to the viewer. Some of the spaces are offering an exit
of light, opening to an other world, some others are images of sometimes
claustrophobic anxiety. All of them though are set to take the viewer to a
visual journey into a parallel world.

Q. I know you are a hard worker and you probably don't work on a
whim, when does a painting start and when does it end?
A. I constantly gather imagery, take photos or make drawings. The
paintings often start from something observed, from realities around me or from
something read. These two avenues also often work in combination as a starting
point for an image. Then during the painting process there is distortion,
exaggeration and invention taking place. The hardest part is to understand when
a painting finishes. I prefer spending time with the paintings, it is almost as
if they are maturing in the studio. After some time I decide whether an image
needs more work or whether it is finished.

Q. Tell us about your last/new exhibition.
A. My current exhibition is an a non-profit space called South Square
art centre in Yorkshire, UK. I decided to vary my practice for this show and
worked at a large cinematic format. The works are oil on paper and the imagery
creates ambiguous narratives. The installation of the show was very important as
the paintings were acting a bit like large cinema screens in the space.

Q. Is Art an object? Would it exist without an audience?
A. I believe an object becomes art once there is a discussion about it
and an interaction with it. Therefore I think there needs to be some form of
audience, not necessarily only a commercial audience nevertheless.

Q. People will probably never be able to go about without clothes, do
you think they could without art?
A. Since the beginning of civilisation, artefacts had been created for
a variety of reasons. I don't think this is ever going to end. People will
always need to communicate, comment, express ideas and poetic visions through
art.

Swide's 5Q/A:
1. Artist or painter?
Emi: Artist.
2. Fashion or anti-fashion?
Emi: Anti-Fashion.
3. Expression or discretion?
Emi: Expression.
4. Fantasy or reality?
Emi: From reality to fantasy.
5. Desire or inspire?
Emi: Desire inspires.
Text by Acelya Yonac
Photo Credits: courtesy Greenberg Van Doren Gallery and The Apartment Gallery
Sources:
emiavora.com
TAGS: emi avora south square centre gallery artist exhibits famous artists acelya yonac paintings painting talented artist