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The result: super cool to us. Why? Because it is exactly what our century is about, cultural blends opposed to clashes. Reality follows the digital world with the abolition of borders. Like us just go and revisit Versailles as if it was the first time.

The Royal family has left the house for 3 months and gave the keys to the mangas. New people, new fibreglass costumes. Colourful and matching the surrounding gold panelling, the invaders welcome you at the entrance with a giant totem. If some of the artist’s anatomic inspired works are not featured at this show, you will find Murakami's signature pieces: superflat and two-dimensional images, videos and sculptures.
As former French culture minister Jean Jacques Aillagon puts it: “The rule of the game is that we removed nothing from the palace”. Only the guests have changed.

The exhibition runs until mid-December, for more information visit: chateauversailles.fr
Sources: huhmagazine.co.uk, designboom.com, guardian.co.uk
©2001-2006 takashi murakami/kaikai kiki co., ltd. all rights reserved.
TAGS: takashi murakami paris versailles exhibition mangas japan japanese art contemporary art 17th century Louis XIV royal family ancien regime palais de versailles classic aesthetic sculptures video image superflat style otaku culture fibreglass royalist jean-jacques aillagon french culture minister palace artist online luxury magazine takashi murakami ceau de versailles
